I fully appreciate where these sentiments are coming from.
The frustration that Kristin is criminally ignored haunts me but its also true to say not everybody came to Kristin via TM.
Many members here discovered her through Hips & Makers or even later albums such as Sunny Border Blue.
For every UK fan who first heard the debut there are americans who started with House Tornado and still prefer it.
I love TM 2003 & all the FFW ep's but there are many who think the Grotto is her best work.
I think this is one of the dilemmas facing anyone as prolific as Kristin. Her different strands need outlets and Kristins solution is seperate entities for each.
The issue of persuading non believers is all the more difficult as these are not quick fixes in the way Lady Gaga or any of the other media friendly popettes are. The songs require repeated listening and a little effort on the listeners part.
Difficult to engage others in this way in a social situation. People may listen politely but will probably not be overwhelmed on first hearing.
This is no criticism as almost all the music that has stayed with me over the years is "difficult" to begin with, which is why it is so enduring.
The LTSLAS tour was full band, strings etc. The BIG show I believe Billy called it. Unfortunately it also nearly crippled B & K financially. Of course the positive side was it created the spark of an idea that became CASH music and look what a creative success that has proved to be.
Karma dictates that Kristin will be rewarded for her trials and I keep faith with that. This much talent deserves an audience at least, but not at any price.
Finally, Milan is one of the best songs K has written recently so if this is an indication of where the TM album is going I am too excited.