Kristin Hersh

My latest song from “Speedbath” is here. It’s called “Around Dusk” and I hope it treats you well.

Now that CASH is a viable entity and not just an amorphous blob floating around in our heads, those of us who work here are becoming increasingly aware of its quieter gifts. I knew this construct was necessary in order for us all to share interesting music, but intangibles like political implications are now sneaking into my world view.

I’ve always believed that what I do has more in common with the field of research than the field of entertainment. Of course, from the beginning, I knew that in order to reach people with sound, I had to make records and play clubs. Sounds simple, gets ugly.

In order for someone like me, (The Artist) to reach out and grab the Music Business Experts who in turn, reach out and grab someone like you (The Audience), they ask you in not-so-subtle ways to play by the “rules” of the entertainment industry.

These rules are not mysterious, nor are they difficult to follow. In fact, there’s only one real rule: be attractive. If you work in the recording industry, you must play attractive music, you must be an attractive human. If you work in the film industry, you must make attractive movies, you must be an attractive human, etc.

The definition of attractive is where we all fall down. Healthy people view it as a melange of sensory, intellectual and emotional input. Healthy people are attracted to music and film — and humans — that move us.

The wildly unhealthy entertainment industry views attraction as: easy. That’s it. Just like high school! This is how bimbos happen and I don’t just mean the Barbie doll kind. Male bimbos, female bimbos, musical and filmic bimbos…a bimbo is anything one-dimensional enough to be taken at face value with no potential for insight or growth on the part of the consumer (oooh…scary…insight!)

Every time Nothing is wrapped in Fashion and sold to the Public, a bimbo is born. Bimbos can always make someone money. They’re e-e-e-e-easy.

I’ve watched musicians I loved buy into this insidious phenomenon. The idea that to bring their music to more people they’d need to dumb it down. Whether they believed in their own success or their own failure didn’t matter, the end result was the same: something imaginary killed their art.

The “experts” ask, are you a bimbo? If your answer is no, then you flunk the music business and eventually you disappear. If your answer is, “well…I could be…here’s a picture of me ‘looking cool’…here’s a flimsy song…” then you’re allowed to share your music with the public. But what music? You dumbed it down! Why bother? For twenty years I lived with this quandary.

Thank you, CASH people, for removing me from that ugly world, for taking our amorphous blob and running with it. I make records, I play clubs, I’m in the music business, but I no longer have to answer to some vague idea of a “market” or demographic. I no longer have to play by the crap rules of the entertainment industry, I only have to answer to my stake-holders.

Now my job is to throw myself, body and soul, into my research and share it with you.

Love,
Kristin

Note: As of this writing, Kristin’s CASH subscribers come from 12 different countries on 5 different continents.

Find this song and all my recent work, in multiple formats – including lossless, free for download on my CASH Music pages. Information on how you can support the creation and distribution of this music by becoming a subscriber is here.

This song was written under water.

On my last tour, our bus broke down and left us stranded in Idaho for a few days. When my band members and I finally arrived at a hotel, we were at first too dirty and disoriented to mind that we were either trapped in our rooms watching bad t.v. or trapped in the hotel lobby with sports fans and evangelist types. It got old fast, however and so did living on complimentary apples from the front desk.

I took refuge in the pool where it was quiet, swimming laps for days. Under the green, hyper-chlorinated water I began to time trip back to a winter night at Logan airport where I sat on a bench in the cold for hours, waiting to be rescued, as I was doing now. This is how songs work; they take your life stories and mix them up because, like old relatives and unconditional lovers, they really don’t care about getting it right, they just care.

When Mudrock suggested we throw a KH solo song down for CASH during the recent 50FootWave recording session in LA, I knew this was the song. Rob Ahler’s emotional drumming is somehow wintry, Mudrock’s production anthemic without pretense.

In order to reduce file sizes, we’ve made the mix stems available as lo-res mp3s as well as the normal (but huge) WAV files. Soon, I’ll be posting what someone called “sample packs” — short clips from each of the stems, to make remixing a little easier. Not this month, but soon.

I want to take a second to thank you all for your comments, your financial support and especially the time, effort and creativity shown by those of you who have chosen to post remixes on my “-RW” page. It’s been a great first month.

Love,
Kristin

Find this song and all my recent work, in multiple formats – including lossless, free for download on my CASH Music pages. Information on how you can support the creation and distribution of this music by becoming a subscriber is here.

Welcome to my sparkly-new CASH Music project.

As many of you may already know, CASH is an acronym — it stands for the Coalition of Artists & Stake Holders. The name indicates just what we’re all hoping to build here — a coalition through which we blur the line that’s traditionally stood between creators of content and the consumers of that content.

Just to head off any potential confusion, CASH Music is not “me”, or “mine”. It’s a group of people that have built a framework that is not meant for any single artist. I’m only the first. Look for more artists soon. The next featured artist and a co-founder of the coalition is Donita Sparks. CASH will soon be open to any and all independent artists who want a set of tools to offer their music directly to their audience for collaboration as well as financial support.

We’re all stake holders here. We all stand to gain from a productive relationship. Maybe it will help to think of this relationship as a conversation. For instance, I start the conversation by writing and recording a song every month, like the one I’m posting here this month, “Slippershell”. You respond by listening & sharing “Slippershell” with others.

Sharing is encouraged, I license my work through Creative Commons. If you’re unfamiliar with Creative Commons, do yourself a favor and check out the licenses I use. They’re in plain English and provide better, more realistic and rational copyright protection.

•••

Here are some beautiful things from a world none of us remember:

• a folk song is carried across the ocean, altered by the voices which relay it. Chord progressions, lyrics and instrumentation change as the original material is shaped according to different concepts of beauty in sound.

• a blues player walks a song from town to town, playing on street corners, in dance halls, at parties and bars. The song stays when the musician leaves, adopted and adapted to suit various personalities, voices and life stories.

•••

Art is by nature a conversation. I’d like us to make it a community. Think about what you have to offer. Read-only culture is not enough anymore. We’d like you to treat this stuff as read-write. I’d also like to hear your comments on the songs I post each month. I’ll read them all and reply too.

What does read-write mean? Maybe as you’re listening to “Slippershell”, you’re inspired to DO something: paint a picture, write an essay, make a video, remix, or even re-record the song. Please do so. And share your work with me and the rest of the CASH community by uploading it somewhere and sending me a link. I’m offering my Pro Tools mix stems to make it easy to work with my recorded material. We will review all the links submitted, I promise. At some point, I’ll release the songs I post here in the form of a CD. It’s my intention that the CD release should also include lots of the stuff you send me. I think that would be incredible.

What we’re doing today is just the beginning. It is in the nature of a share and share alike community to grow. Gradually, over the next weeks and months CASH Music will be revealing it’s “real” self. Other artists will be involved, the final and fully-capable site will be launched and new features will be added — all incorporating your input and creativity. CASH is a community that in the end will be defined by itself.

•••

Here’s an ugly thing we all see every day:

• Big business tries to replace your opinions because this makes big business money. But big business isn’t me and it isn’t you.

Here’s something you can do about it:

• Demand substance. Substance in music, in education, in art, in health, in film, in information, in everything. When you find people doing something you like, support that endeavor as an investment in the future of quality output.

•••

CASH asks for your financial support. Please consider contributing or subscribing in whatever amount is comfortable to you. Your money will support not only me and my work but CASH directly, allowing this community to grow and become something to be proud of. A forum for all of us as creative individuals to collaborate, creating “read-write” culture from user-generated content.

This should make for an exceptionally interesting conversation, don’t you think?

Love,
Kristin

Find this song and all my recent work, in multiple formats – including lossless, free for download on my CASH Music pages. Information on how you can support the creation and distribution of this music by becoming a subscriber is here.