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Kristin Hersh

Kristin Hersh

Kristin Hersh • Throwing Muses • 50 Foot Wave

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projects

Purgatory/Paradise

In 2013, Throwing Muses returned with their first studio album in 10 years – published as a book and a CD. The art book is 64-pages of lyrics, essays, and photos and includes a 32-track CD that was entirely listener-supported thanks to Kristin’s Strange Angels. There is access to online content when you purchase the book – including instrumentals, a commentary by Kristin and David, and digital music files in mp3 and lossless formats.

Purgatory/Paradise

Thanksgiving

My son, Bo, and I stood in a field yesterday, watching Canada geese take off into the mist. They disappeared almost instantly: ghost geese, still making a racket, but invisible to the two of us parked on the ground, our feet nestled between briars and dead wildflowers.

“Where do they think they’re going, Mom?”

“I dunno…up?”

He smirked. “After up, I mean.”

“They’re flying south for the winter. Pretty good idea, actually.”

“But tomorrow’s Thanksgiving. They’re gonna miss it. That’s not a good idea. And then they’ll miss Christmas!”

I gazed up into the cloud that now held only quiet honking, growing more and more distant. “They won’t miss Christmas, they just won’t spend it with us in the snow. They’ll hang by a pool, drinking Mai-Tais.”

The ghost geese gone, we picked up the pace, trying to keep warm. “Not very seasonal,” muttered Bo.

“Geese aren’t very seasonal, that’s the whole idea.”

We trudged along, visions of flying and snow and swimming pools dancing in our heads. “Don’t they get tired?”

“Yeah. But goose muscles are made for this kinda stuff. They were born to use themselves up in order to get to where they’re going.”

He sighed, a high-pitched little boy sigh. “Hope they’re happy up there.”

This Thanksgiving, like all Thanksgivings, I’m grateful for the Strange Angel supporters and listeners who, together, have made possible our funny-looking, intense and I would say necessary little planet of music. Thank you for helping us do what we were born to do, for allowing us to work our muscles and use ourselves up in order to get to where we’re going.

Love,
Kristin
Thanksgiving 2013

Purgatory/Paradise

Purgatory/Paradise is out now in the UK (The Friday Project) and digitally worldwide. US (Harper Collins’ It Books) pre-orders are available now for a December 3, 2013 release. The art book is 64-pages of lyrics, essays, and photos and includes a 32-track CD that was entirely listener-supported thanks to Kristin’s Strange Angels. There is access to online content when you purchase the book – including instrumentals, a commentary by Kristin and David, and digital music files in mp3 and lossless formats.

Purgatory/Paradise

Read this thoughtful Pitchfork review.

You can purchase Purgatory/Paradise at the online retailers below:

SIGNED US BOOK PRE-ORDER (Greenlight Bookstore exclusive)

OTHER US BOOK PRE-ORDERS:
Amazon
Barnes & Noble
Booksamillion
Indiebound

UK BOOKS:
Amazon.co.uk
Book Depository

The music is also available for download at ITunes, Amazon, or emusic.

Watch the video for Sunray Venus, by the amazing Orrin Anderson:

Purgatory/Paradise track listing:
1. Smoky Hands
2. Morning Birds 1
3. Sleepwalking 2
4. Sunray Venus
5. Cherry Candy 1
6. Film
7. Opiates
8. Cherry Candy 2
9. Freesia
10. Curtains 1
11. Triangle Quantico
12. Morning Birds 2
13. Lazy Eye
14. Blurry 1
15. Folding Fire
16. Slippershell
17. Bluff
18. Blurry 2
19. Terra Nova
20. Walking Talking
21. Milan
22. Curtains 2
23. Folding Fire 1
24. Static
25. Clark’s Nutcracker
26. Dripping Trees
27. Sleepwalking 1
28. Smoky Hands 2
29. Speedbath
30. Quick
31. Dripping Trees 2
32. Glass Cats

It’s All Perfect Right Now

Waking up, you don’t know where you are. Also? It doesn’t matter. But the urge to pull back the heavy curtain is strong because everywhere turns out to be somewhere and that’s exciting. Out the window are icy branches, a couple cinder blocks covered in frozen, damp leaves and just beyond, a parking lot. Nothing special, and yet…some chemical in your bloodstream, some neuron firing, tells you it’s special anyway. Neurons know best.

Sweet, oily motel coffee is presided over by some big, nice ladies, always. Morning is a universal phenomenon, whether we all feel good or lousy. You feel good, though, ’cause music got played last night and they feel good ’cause they’re big, nice ladies.

Outside is cold. Air is a universal phenomenon, too. We’re all in it together.

Your loved ones are in the van already, sleepy and funny. A noisy peace kicks in. Out the window, you race away from one city and race into the next. It’s exhilarating. Nobody could catch you even if they wanted to and they’re not even trying ’cause you’re invisible and invisible is perfect today.

It’s all perfect right now; this is your perfect day. No soul is ever measured by the love of those who don’t know it, love as numbers. The numbers that are so wildly hunted breeze in and breeze out, pale and fail. Duh-uh. Which is why we work for each other, and why we love that about each other and why we race past another icy field, great glass stalks, bending and straightening.

To Be Quiet

Violently crushing hundreds of periwinkles underfoot, I slip on a bank of slippershells, jerking an earbud from my ear, and suddenly I can hear the ocean and my friend at the same time. He wasn’t keeping up, honestly; I didn’t mind losing the earbud.

I mean, who can keep up with the ocean, but I only listen to my friends’ music (a seriously old guy thing to do, I know, sorry) and my friends can usually compete. ‘Cause a few of them are geniuses and because I love them. Sometimes, I watch the ocean and listen to a new soundtrack for it and the sound of waves – my favorite sound in the world – takes a back seat.

Lately, though, instead of oceanscapes, I’ve been listening to mistakes. Not mistakes made by people who don’t know what the fuck they’re doing. These musical mistakes were made by people who knew exactly what they were doing. Or what they should have been doing. It’s dull and baffling, but nevertheless, interesting. How is it that you can wake to a calling, attract an angel to your shoulder who whispers in your ear and together spew forth…crap?

I’ve certainly spewed my share, which was the initial attraction to other people’s mistakes. I’m optimistic and obnoxious enough to think I know better, but…nope. Time and again, I make a noise I regret; usually after I’ve released the noise, let other people hear me sounding stupid. It’s discouraging: how is it that we can fall in love with music and then repeatedly step on its toes when we’re supposed to be dancing?

Maybe because nobody’s a genius; nobody’s ever been a genius. Genius isn’t something you are, it’s something you tap into. Duh-uh. We’re allowed to fly with music on occasion when it invites us, then take a piece home when we land. The flight is ephemeral, the musical piece (hopefully) timeless. These musical pieces are evidence of flight, not genius. And, I guess, a heart, brain and viscera that’re moved by flight.

I’m starting to believe that my friends’ musical genius is proved when they suck laughably; when they wait so innocently for their angel to whisper that they don’t bother to be hack, to sound cool, to manipulate our emotions, to try and fool us in any way. They just sit there making stupid noises.

Of course, it’d probably be better if we didn’t make any noise at all while we waited for music to lift the metal bar and invite us onto its roller coaster; if we played nothing when there was nothing to play. Maybe the best musicians have learned to do just that: to be quiet.

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Kristin Hersh

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